Saturday, March 26, 2011

Imitatio/Ersatz

I've been enjoying a show on ABC TV called Forger's Masterclass. The premise: John Myatt, a British art forger, evidentedly rehabilitated, hosts a show during which he shows three fine art students how to paint in the style of one of the great masters - Monet, Hockney, Braque, Van Gogh etc. It's brilliant viewing. Apart from the kooky art students, you realise just how difficult, technically, some of the deceptively simple works of modern art are. And, of course, in the imitation of others, one discovers something of one's own style.

So I'd been thinking about the art of imitation, when I got my first piece of German homework last week. We were given a painting (see below), and asked to write a 200-word story, about the three people in it. I was sceptical, at first (what were we, in High School again?), but soon fell into the project. It's a challenge, to construct something interesting within narrow confines.

I thought about Vermeer - how his pictures capture a moment in time in lives of his figures; a sharp juncture in the storyline. Amongst short story writers, the American Lydia Davis is well-known for her elliptical single paragraph or one page-long stories. And I've always wanted to try a story à la Peter Bichsel, my favourite Swiss writer. His whimsical, deceptively simple short stories often focus on the mundane - small incidents of everyday life - which, when at the centre of a short piece of writing, come into sharp focus, and reveal something deeply moving about human existence.

So here's my attempt at a Bichsel-Davis-esque piece. (I know it's pretentious, but I've included the German, 'cos it looks good. :P FYI: The German exercise was to test our knowledge of adjectival and article agreements - hence the plethora of them!)

Oh, by the way: While I was writing, I asked one of my housemate what the story of the picture was about. He came over to where I was sitting, and peering over my shoulder at the laptop, said: "Oh, that guy's lost his car keys over the cliff. She's pointing them out to him, while he's trying to get them without going over the edge. The other guy's just standing apart, laughing."

Wish I'd written that story! Hey, why don't you have a go at your own? Might be fun.



Kreidefelsen auf Rügen

Ihre Kutsche war zu schnell über den steinigen Weg gefahren, und armer Caspar hatte immer einen empfindlichen Magen.Hier lag er, wie eine große, schwartzbraune Motte, flatternd, auf dem grünen Gras. Sein Gesicht, blaß und schweißig, war genauso wie die weiße Farbe der Kreidefelsen vor ihnen. Er starrte ungläubig auf die kleinen Boote am Meer. In der Form ihres dreieckigen Hutes, schaulkelten sie auf dem Wasser. Ihre Bewegung ließ ihm wieder erbrechen. Diese Seeleute! Das war nichts für ihn. Er hasste Boote.

Their carriage was too fast over the stony path, and poor Caspar had always had a weak stomach. He laid there, like a large, black-and-brown moth, fluttering on the green grass. His face, pale and sweaty, was exactly the colour of the white chalk cliffs before them. He stared out, unbelievingly, at the small boats on the sea. The form of his three-cornered hat, they bobbed on the water. Their movement made him sick again. These sailors! That was not for him. He hated boats.

Christiane war auch dankbar für die frische Luft. Für sie hatte der Tag früh angefangen. Sie hatte nichts gegessen; hatte mit jedem gesprächigen Gast geredet; und jemand hatte auf ihrem Brautschleier getreten. Jetzt war es schön, einfach in dem hellen, winterlichen Licht zu sitzen. Sie beobachtete die Boote. Sie mochte ihr großes blaßes Segelwerk, so zart dennoch groß, das es einen Windstoß enthalten konnte. Sie hoffte, dass Caspar und sie segeln würden. Sie hatte nie gesegelt.

Christiane was also thankful for the fresh air. For her, the day had started early. She had not eaten anything; had spoken with every chatty guest, and someone had trodden on her wedding veil. It's lovely, now, simply to sit in the bright, winter light. She watched the boats. She liked their large, pale sails, so fragile yet capable of holding a great gale. She hoped, that she and Caspar will go sailing. She had never sailed.

Der Kutscher dachte, Es ist spät, wir müssen schon wegfahren. Er wollte nach Hause gehen. Er wollte seine Frau küssen. Er wollte sich zu Tische setzen und ein warmes Abendessen essen. Später, brächte er die Kleineren ins Bett. Dann säße er sich am Kamin, und mache ein kleines Segelboot. Das Segelboot wäre aus Holz, und war für seinen zweitjüngsten Sohn. Er pfiff lautlos, durch die Lücken zwischen seinen ungleichen Zähnen.

The driver thought: It is late, we must go soon. He wanted to go home. He wanted to kiss his wife. He wanted to sit at the table and eat a warm dinner. Later, he will put the little ones to bed. Then he will sit before the fire, and work on a small sailing boat. The boat was made of wood, and was for his second youngest son. He whistled soundless, through the gaps between his uneven teeth.

Wednesday, March 16, 2011

Poetry and Theology



Religions are poems. They concert
our daylight and dreaming mind, our
emotions, instinct, breath and native gesture

into the only whole thinking: poetry.
Nothing's said till it's dreamed out in words
and nothing's true that figures in words only.

A poem, compared with an arrayed religion,
may be like a soldier's one short marriage night
to die and live by. But that is a small religion.

Full religion is the large poem in loving repetition;
like any poem, it must be inexhaustible and complete
with turns where we ask Now why did the poet do that?

You can't pray a lie, said Huckleberry Finn;
you can't poe one either. It is the same mirror:
mobile, glancing, we call it poetry,

fixed centrally, we call it a religion,
and God is the poetry caught in any religion,
caught, not imprisoned. Caught as in a mirror

that he attracted, being in the world as poetry
is in the poem, a law against its closure.
There'll always be religion around while there is poetry

or a lack of it. Both are given, and intermittent,
as the action of those birds - crested pigeon, rosella parrot -
who fly with wings shut, then beating, and again shut.

- Les Murray.

If ever I could write the syllabus for a theological subject, I'd make sure that the students' reading list included some poetry or fiction, as well as usual books and articles ... The imagination should should illuminate before God, even as Reason strain after Him.

Tuesday, March 8, 2011

New Project

Well, a new year means a new venture.

Here's a project I've started with a friend. Inspired by Julia & Julie, we're going to try to read (and blog) our way through a wonderful list of 100 books.

http://www.whatisstephenharperreading.ca/

Unlike Julie's plan to cook her way through The Art of French Cooking in 365 days, I suspect we'll take longer to get through this list of books. In fact, we've joked about passing it on to our various imaginary and beleaguered children, and their children's children ... Or, more likely (and worse!), of passing the readership from our subscribers to their progeny.

Nevertheless, methinks an ambitious and perhaps noble venture. A bit of fun, at the very least.

Hope you can join us, some time.

A Girl who Reads



Thanks to my friend Kate, I discovered this lyrical and joyful post: http://themonicabird.com/post/3273155431/date-a-girl-who-reads-date-a-girl-who-spends-her.

Hope you enjoy it too!

Sunday, February 27, 2011

A Ritual to Read to Each Other


If you don't know the kind of person I am
and I don't know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.

For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break
sending with shouts the horrible errors of childhood
storming out to play through the broken dyke.

And as elephants parade holding each elephant's tail,
but if one wanders the circus won't find the park,
I call it cruel and maybe the root of all cruelty
to know what occurs but not recognize the fact.

And so I appeal to a voice, to something shadowy,
a remote important region in all who talk:
though we could fool each other, we should consider--
lest the parade of our mutual life get lost in the dark.

For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give--yes or no, or maybe--
should be clear: the darkness around us is deep.

- William Stafford.

Saturday, February 26, 2011

Working towards God

After a long and dreary day of work, and really, a long and arduous week of Arbeit, I read this, and it was good.

"Work puts human beings in the world of things. It requires achievement from them. Christians slep out of the world of personal encounter into the world of impersonal things. the It; and this new encounter frees them for objectivity, for the world of the It is only an instrument in the hands of God for the purification of Christian from all self-absorption and selfishness. The work of the world can only be accomplished where people forget themselves, where they lose themselves in a cause, reality, the task, the It. Christians learn at work to allow the task to set the bounds for them. Thus, for them, work becomes a remedy for the lethargy and laziness of the flesh. The demands of the flesh die in the world of things. But that can only happen where Christians break through the It to the You of God, who commands the work and the deed and makes them serve to liberate Christians from themselves."

- Dietrich Bonhoeffer, Life Together, p75.

Wednesday, February 23, 2011

Resolution

Today I read through and marked 10 uniformly uninspired and insipid essays. I then resolved to never write a boring essay, ever again. Even if it's just to give my marker half an hour of happiness. My essays, shall, henceforth, be either entertaining under-researched, or spectacularly inaccurate, or grammatically imaginative.

Just. Not. Boring!